Artworks

signed lower right: "Kubin"; titled lower left beneath the motif: "Das Gespenst"; lower left collector´s-stamp: "Graninger"

signed on the lower right: „Hollegha“

monogrammed on the reverse: "M.I.S."

signed on the lower right: "Tomec"

rechts unten signiert: "Egger-Lienz"; rückseitig Figurenstudie (Sämann)

Signed and dated on the lower right: "R. Alt [1]855"

Confirmation of authenticity by Alfred Wawra on the reverse: "I assume full liability for the authenticity of this painting by A. v. Pettenkofen. Alfred Wawra "

signed and dated on the lower left: "Ed. Zetsche [18]95"

signed, dated and titled on the reverse: "G. Mairwöger [19]83, Ornis" and inscribed and dated: "Murau [19]83"; stamp: "Nachlass Gottfried Mairwöger"

signed and dated on the lower right: „Mikl [19]83/86“

Twice signed, dated, titled and inscribed on the reverse: „Schilling [19]90 Autostereoscopisches Raumbild mit Prisma-Betrachter vor dem einen Auge (beide offen). Prisma No. 2 (2 Grad Verschiebung des einen Augenbildes nach unten)“

signiert: "GSÖLL" (auf einem "Tischbein" Mitte unten)

Rückseitig signiert und gestempelt

rückseitig signiert und datiert: „M. Horsky 2025“

signed on the lower right: "Ribarz"

signed on the lower right "Franz Steinfeld"

signed on the lower right: "A. Romako."

Signed on the lower left: Cvan Haanen

lower right with signature-stamp: "Schindler"

signed on the lower right: "E. Veith"

Signed, inscribed and dated lower left: "C. van Haanen Venetie 1878"

signed and dated on the lower right: "Mairwöger 76"; titled on the reverse in the artist's own hand

monogrammed and dated on the right: „M. [19]83“

Rückseitig signiert und gestempelt

signed, titled and dated on the reverse: "Michael Horsky, Cosi fan Tutte, 2024"

signed and dated on the lower right: "E. Zetsche 1900[?]; on the reverse inscribed and titled by the artist on a label as well as a Künstlerhaus label from 1919 with the no. 1516 (confirmed by the Künstlerhaus archive)

signed lower right in pencil by the artist: ‘Marc Chagall’; numbered lower left: ‘33/50’

signed lower left: "Ribarz"

signed on the lower right: "E. Veith"

labelled at the bottom: ‘painted by Rudolf von Alt confirmed by his daughter Louise v. Alt’

signed on the lower left: "Robin C. Andersen"

signed on the reverse of the canvas: „Schilling"

links unten signiert: "E. Zetsche"

signed lower right: “R. C. Andersen”

signed and dated lower left: Neder 1844

monogrammed and dated lower right: ‘a.p. [1]866’

signed and dated on the lower right: "Ribarz 1879"

verso numbered in ink: "4.)"

signed on the stretcher: Hans Böhler

seitlich links signiert und datiert: „Mikl [19]75“

signed and dated on the lower right: "Mairwöger 75"; inscribed, titled and dated on a label of Galerie Ulysses (Vienna) on the reverse

Dated on the reverse: "March 1984"as well as an estate stamp

signed, titled and dated on the reverse: "Michael Horsky, Das Konzert, 2024"

signed lower left: "A. Steinfeld"

signed on the lower left: "A. Romako Roma" label of "Garfield Galleries Boston" on the reverse

signed and dated on the lower left: "Steinfeld 1833"

Signed and dated on the lower left: "Neder, 1857"

links unten monogrammiert: a.p.

signed, dated and inscribed lower right: "Rudolf Ribarz [18]76 Paris"

monogrammed and dated on the lower left: „M. [19]70“

signed and dated on the lower right: "Mairwöger 76"; inscribed on the reverse: "K 279 / Lucca 7"

signed on the reverse of the canvas: "Schilling"

signed, titled and dated on the reverse: "Michael Horsky, Kreuzigungsblumen, 2024"

signed on the lower right: "A. Romako. Roma."; collector's stamp "S" (Anton Schmid, Wien) on the rightmost edge

signature stamp and inscription "No. 34" on the reverse as well as a partially preserved label: "Tina Blau, Alter Hof ... Karls ..."; on the original frame label of the Künstlerhaus Vienna: "1917 / 1553"; as well as a collection label: "Walter Taussig 320 Riverside Drive New York, N.Y. 10025"

monogrammed on the lower right: "a.p."