Artworks

  • Rudolf von Alt, View over the Fields towards Wadowice, 1839
    Rudolf von Alt
    View over the Fields towards Wadowice, 1839
    Watercolour on paper
    12 x 18 cm
    Signed lower center: "R. Alt"; inscribed and dated lower left: "Wadowice August 10, 1839"
  • Friedrich Gauermann, Slain Stag with Three Eagles, 1843
    Friedrich Gauermann
    Slain Stag with Three Eagles, 1843
    oil on canvas
    113,5 x 96,5 cm
    signed lower right: "F. Gauermann"
  • Friedrich Gauermann, Herders and Herd at the Lakeside, 1857
    Friedrich Gauermann
    Herders and Herd at the Lakeside, 1857
    Oil on canvas
    53 x 66 cm
    signed and dated lower right: "F. Gauermann 1857"
  • Ferdinand Brunner, Mountain Mill, 1896
    Ferdinand Brunner
    Mountain Mill, 1896
    Oil on wood
    20,5 x 31,8 cm
    signed and dated on the lower left: "F. BRUNNER / 1896"
  • Georg Philipp Wörlen, Still Life with Cucumbers, 1923
    Georg Philipp Wörlen
    Still Life with Cucumbers, 1923
    Oil on canvas
    40 x 60 cm
    signed and dated on the lower right: "G.PH.WÖRLEN 1923"
  • Ferdinand Brunner, Landscape (Motif from the Pielachtal-Valley), 1934
    Ferdinand Brunner
    Landscape (Motif from the Pielachtal-Valley), 1934
    Oil on Canvas
    65 x 88 cm
    signed lower left: Ferdinand Brunner
  • Ferdinand Brunner, Idyll at the River, before 1920
    Ferdinand Brunner
    Idyll at the River, before 1920
    Oil on wood
    19 x 30 cm
    signed lower left: "Ferdinand Brunner"
  • Ferdinand Brunner, Landscape from the Waldviertel, 1941
    Ferdinand Brunner
    Landscape from the Waldviertel, 1941
    Oil on canvas
    38 x 52,5 cm
    signed lower right: Ferdinand Brunner
  • Laurent Ajina, Wimbledon, 2021
    Laurent Ajina
    Wimbledon, 2021
    Paintmarker and acrylic on canvas
    200 x 200 cm
    rückseitig signiert und datiert
  • Friedrich von Amerling, The Actress Mathilde Wildauer, c. 1850
    Friedrich von Amerling
    The Actress Mathilde Wildauer, c. 1850
    oil on canvas
    53,7 x 46,3 cm
    old exhibition-label on the reverse
  • Friedrich Gauermann, Hunting Dogs with Shot Stag, before 1850
    Friedrich Gauermann
    Hunting Dogs with Shot Stag, before 1850
    Oil on paper on wood
    13 x 17,3 cm
  • Leo Lesser Ury, Autumn forest at Schlachtensee
    Leo Lesser Ury
    Autumn forest at Schlachtensee
    Pastel on brownish cardboard
    51 x 36 cm
    signed lower left: ‘L. Ury.’
  • Robert Russ, Farmhouse
    Robert Russ
    Farmhouse
    Gouache on paper
    31,5 x 41 cm
    signed lower left: “Robert Russ.”
  • Hugo Darnaut, The Steiner Tor in Dürenstein
    Hugo Darnaut
    The Steiner Tor in Dürenstein
    Oil on cardboard
    45 x 36 cm
    Signed on the lower right: "H. Darnaut"
  • Franz Rumpler
    Lilacs and peonies
    Oil on wood
    23,8 x 18 cm
    Signed on the lower right: Rumpler
  • Alphons Leopold Mielich (Mielichhofer), Woman at the market
    Alphons Leopold Mielich (Mielichhofer)
    Woman at the market
    Oil on wood
    20,5 x 16 cm
    signed lower right: "A. L. Mielich"
  • Robin Christian Andersen, My wife
    Robin Christian Andersen
    My wife
    Oil on cardboard
    33,5 x 44,5 cm
    monogrammed lower left: RCA
  • Karl Stark, Still life with flowers and apples
    Karl Stark
    Still life with flowers and apples
    Oil on canvas
    60 x 70 cm
    signed lower left. ‘K. Stark’
  • Martin Johann Schmidt (gen. Kremser Schmidt), Christus am Ölberg (aus: Vier Szenen aus der Leidensgeschichte Christi), 1790
    Martin Johann Schmidt (gen. Kremser Schmidt)
    Christus am Ölberg (aus: Vier Szenen aus der Leidensgeschichte Christi), 1790
    Öl auf Leinwand
    39,5 x 50 cm
    links unten Signaturreste, am Felsen datiert "1790"; rückseitig am Keilrahmen Etiketten bezeichnet "F H Oser 1931" sowie "Eigentum von Marianne & Alfred Polsterer"
  • Martin Johann Schmidt (gen. Kremser Schmidt), ‘Ascension of Christ‘ (’Transfiguration of Christ"), 1796
    Martin Johann Schmidt (gen. Kremser Schmidt)
    ‘Ascension of Christ‘ (’Transfiguration of Christ"), 1796
    Oil on canvas
    61,8 x 42,3 cm
  • Johann Peter Krafft, Portrait of an Elegant Lady, 1820
    Johann Peter Krafft
    Portrait of an Elegant Lady, 1820
    Oil on canvas
    72 x 57 cm
    signed and dated on the lower right: "PKrafft (ligiert) pinx. Wien 1820" label with hand-written inscription on the reverse: "Dieses Bild war im Besitze der Familie Schierer und ist nach dem Tode der Frau Luise Schierer in Klosterneuburg 1914 als Erbstück auf mich übergegangen. Franz Nehoda" [This painting belonged to the Schierer family and passed to me as an heirloom after the death of Mrs. Luise Schierer in Klosterneuburg in 1914. Franz Nehoda]
  • Thomas Ender, The Covered Bridge in Ischl, 1823/24
    Thomas Ender
    The Covered Bridge in Ischl, 1823/24
    Watercolour on vellum
    11,5 x 18,8 cm
    signed lower center: "ThoEnder."
  • Franz Eybl, View from Pichl-Kainisch (near Bad Mitterndorf) over the foothills of the Türkenkogel towards the Zinken and the Sarstein near Bad Aussee, 1835
    Franz Eybl
    View from Pichl-Kainisch (near Bad Mitterndorf) over the foothills of the Türkenkogel towards the Zinken and the Sarstein near Bad Aussee, 1835
    Oil on cardboard
    26,5 x 21 cm
    signed and dated lower left: "Eybl [1]835" inscribed on the reverse and two pencil sketches
  • Thomas Ender, Medgidia, 1837
    Thomas Ender
    Medgidia, 1837
    Watercolour on paper
    9 x 15,5 cm
  • Josef Lauer, Flowers with Butterflies, 1840
    Josef Lauer
    Flowers with Butterflies, 1840
    Oil on canvas
    45 x 36 cm
    signed and dated on the lower left: "Jos. Lauer pinx. 1840"
  • Albert Schindler, The Alms, 1840
    Albert Schindler
    The Alms, 1840
    Oil on wood
    33,5 x 42 cm
    signed and dated lower left: "A. Schindler 1840"
  • Friedrich (Fritz) Reinhold, Landscape with farm, 1840
    Friedrich (Fritz) Reinhold
    Landscape with farm, 1840
    Oil on canvas
    34 x 42 cm
    signed and dated lower right: "Fritz Reinhold 1840"
  • Johann Nepomuk Rauch, Fighting bulls in Campagna landscape, 1843
    Johann Nepomuk Rauch
    Fighting bulls in Campagna landscape, 1843
    Oil on canvas
    72 x 102 cm
    signed and dated lower left: ‘J.N. Rauch 1843’
  • Edmund Mahlknecht, Lake Hallstatt, 1844
    Edmund Mahlknecht
    Lake Hallstatt, 1844
    Oil on canvas
    34,5 x 42 cm
    signed and dated on the lower right: "E. Mahlknecht [1]844"
  • Johann Matthias Ranftl, Maltese puppy, 1844
    Johann Matthias Ranftl
    Maltese puppy, 1844
    Oil on canvas
    20,3 x 20,2 cm
    Signed and dated on the lower left: Ranftl 1844
  • Johann Matthias Ranftl, Rendezvous, 1844
    Johann Matthias Ranftl
    Rendezvous, 1844
    Oil on panel
    60,5 x 46,5 cm
    signed and dated lower right: „Ranftl 1844“
  • Anton Hansch, Blick von der Hütteneckeralm auf den Hallstättersee und den Dachstein, 1845
    Anton Hansch
    Blick von der Hütteneckeralm auf den Hallstättersee und den Dachstein, 1845
    Öl auf Holz
    41,7 x 53,1 cm
    rechts unten signiert und datiert: "Hansch. [1]845"
  • Josef Neugebauer, Portrait of a Child, 1846
    Josef Neugebauer
    Portrait of a Child, 1846
    Oil on canvas
    63,5 x 49,5 cm
    signed and dated on the lower left: "Neugebauer 846"
  • Eduard Ritter, Empty Again, 1847
    Eduard Ritter
    Empty Again, 1847
    Oil on canvas
    25,5 x 21,5 cm
    signed and dated lower right: "Ritter [1]847"
  • Johann Fischbach, View of Salzburg from the Foot of the Plainberg, around 1848
    Johann Fischbach
    View of Salzburg from the Foot of the Plainberg, around 1848
    Oil on paper on cardboard
    15,8 x 24 cm
  • Jakob Alt, The Port of Castellammare di Stabia, 1848
    Jakob Alt
    The Port of Castellammare di Stabia, 1848
    Oil on wood
    32 x 39,5 cm
    signed and dated lower right: "J. Alt 1848"
  • Friedrich von Amerling, Marie Bartak, 1849
    Friedrich von Amerling
    Marie Bartak, 1849
    Oil on canvas
    63 x 49 cm
  • Friedrich Treml, Soldiers Camp, 1851
    Friedrich Treml
    Soldiers Camp, 1851
    Oil on wood
    15 x 18,5 cm
    signed and dated lower right: "Treml 1851"
  • Ferdinand Georg Waldmüller, Interior of a Stable ("Interieur eines Kuhstalls"), 1855/56
    Ferdinand Georg Waldmüller
    Interior of a Stable ("Interieur eines Kuhstalls"), 1855/56
    Oil on Panel
    41,3 x 53 cm
    signed and dated midth left: "Waldmüller 18--" [the last two digits illegible]
  • August von Pettenkofen, Reitender Csikós mit Kind, 1859/60
    August von Pettenkofen
    Reitender Csikós mit Kind, 1859/60
    Öl auf Holz
    27 x 18,3 cm
    rechts unten monogrammiert: ap
  • Anton Hansch, View of the Zugspitze from Partenkirchen, 1861
    Anton Hansch
    View of the Zugspitze from Partenkirchen, 1861
    Oil on wood
    55 x 78 cm
    signed and dated lower left: "Hansch [1]861"
  • Rudolf von Alt, Courtyard of the Doge's Palace in Venice, 1864
    Rudolf von Alt
    Courtyard of the Doge's Palace in Venice, 1864
    watercolour on paper on cardboard
    38,9 x 52,7 cm
    signed and dated on the lower left: „R. Alt 1864“, below: "94"; on the lower right Lobmeyr collector's stamp; on the reverse: „RL 01125“ in handwriting as well as label: „Sammlung Leopold II 763“
  • Otto von Thoren, Farmer with oxen, 1868
    Otto von Thoren
    Farmer with oxen, 1868
    Oil on canvas
    122 x 152 cm
    signed lower left: Otto von Thoren
  • Leopold Carl Müller, "Mutterliebe" (A Mother's Love), 1869
    Leopold Carl Müller
    "Mutterliebe" (A Mother's Love), 1869
    Oil on canvas
    72 x 56 cm
    signed and dated on the lower right: "Leop. C. Müller 1869"; inscribed on a label of the back of the stretcher: "Gemälde Galerie des Allerh. Kaiserhauses", inscribed: "Nr. 6104" as well as a label: "Österreichische Galerie", titled and inscribed: "Leopold Carl Müller / Mutterliebe / Inv. Nr. 3216 / getilgt Dr. Garzarolli II/7 51"; another label: "Galerie Miethke Wien / Dorotheergasse 11"; inscribed on the stretcher: "Inv. Modern 589"
  • Ludwig Halauska, Weissenbach at the Attersee lake witha view on the Schoberstein, 1872
    Ludwig Halauska
    Weissenbach at the Attersee lake witha view on the Schoberstein, 1872
    Oil on canvas
    66 x 95 cm
    Signed and dated on the lower left: L.Halauska 1872
  • Franz von Defregger, Moarhäusl bei Dölsach / Lienz, 1873
    Franz von Defregger
    Moarhäusl bei Dölsach / Lienz, 1873
    Oil on Canvas
    59 x 77,5 cm
    signed and dated lower right: "14. Aug. [18]73 / Defregger"
  • Eduard Charlemont, Cupid's Round Dance, 1876
    Eduard Charlemont
    Cupid's Round Dance, 1876
    Oil on wood
    41,5 x 68 cm
    signed and dated on the lower right: "Ed. Charlemont 1876"
  • Hugo Charlemont, Poultry pond , 1876
    Hugo Charlemont
    Poultry pond , 1876
    Oil on wood
    21 x 31,5 cm
    inscribed, dated and signed lower right: “Erinnerung an Frauenberg / 1876 / Hugo Charlemont”
  • Eduard Kurzbauer, Munich Girl in traditional costume, 1877
    Eduard Kurzbauer
    Munich Girl in traditional costume, 1877
    oil on canvas
    70 x 55,5 cm
    signed, inscribed and dated upper right: "E. Kurzbauer, München 1877"
  • Franz Rumpler, Woman in Renaissance Dress, 1880
    Franz Rumpler
    Woman in Renaissance Dress, 1880
    Oil on canvas
    104 x 64 cm
  • Josef Gisela, "Gütlicher Zuspruch" (Amicable encouragement), 1880s
    Josef Gisela
    "Gütlicher Zuspruch" (Amicable encouragement), 1880s
    Oil on wood
    31,8 x 25,6 cm
    signed on the lower right: "Josef Gisela"
  • Robert Russ, Cemeterial Arcades in St. Pauls (Eppan), 1881/82
    Robert Russ
    Cemeterial Arcades in St. Pauls (Eppan), 1881/82
    Oil on panel
    32 x 19,2 cm
    signed lower left: "Robert Russ"; inscribed on the reverse side: „Friedhof in St. Pauls (Eppan)“ as well as „Lindner“" and label with the number „40“
  • Hans Makart, Chariclée Princess Hohenlohe-Schillingsfürst (born Princess Ypsilanti), 1882
    Hans Makart
    Chariclée Princess Hohenlohe-Schillingsfürst (born Princess Ypsilanti), 1882
    Oil on Canvas
    153,5 x 115,5 cm (oval)
    signed lower left (covered by frame): "Hans Makart" Original frame
  • Olga Wisinger-Florian, "Feldblumen" (Field flowers), 1885
    Olga Wisinger-Florian
    "Feldblumen" (Field flowers), 1885
    Oil on wood
    92 x 66,5 cm
    signed lower right: "O. Wisinger-Florian" vignette labelled by the artist himself on the reverse: "Feldblumen. Oil painting by O. Wisinger Florian"
  • Olga Wisinger-Florian, Cowslips, 1887
    Olga Wisinger-Florian
    Cowslips, 1887
    Oil on panel
    43 x 65,5 cm
    Signed on the lower left: “O. Wisinger-Florian”, inscription by the artist on a label on the reverse: “Anemonen pulsatilla, oil painting by Olga Wisinger-Florian, Vienna IV, Wienstrasse 9”
  • Theodor von Hörmann, "Morning on the Seine (Samois near Fontainebleau)", 1887/88
    Theodor von Hörmann
    "Morning on the Seine (Samois near Fontainebleau)", 1887/88
    Oil on wood
    26,5 x 35 cm
    signed on the lower left: "Theod. v. Hörmann"; inscribed in the artist's hand on the label on the reverse: "Theod. v. Hörmann / zur Zeit Znaim (Mähren) / "Morgen an der Seine" (Samois bei Fonatinebleau)"
  • Marie Egner, "Morgen am Dorfweiher" (Smeèno), 1889
    Marie Egner
    "Morgen am Dorfweiher" (Smeèno), 1889
    Oil on wood
    16 x 26 cm
    signed lower left: "M. Egner"
  • Eugen von Blaas, Girl from Venice, 1890ties
    Eugen von Blaas
    Girl from Venice, 1890ties
    Oil on wood
    29,4 x 25,5 cm
    signed sideways on the right: "E. de Blaas"
  • Carl Moll, Still Life with Pheasant, Oysters and Quinces, 1893
    Carl Moll
    Still Life with Pheasant, Oysters and Quinces, 1893
    Oil on wood
    80 x 65 cm
    signed and dated on the lower left: "C. Moll 1893"
  • Eduard von Lichtenfels, Landscape with sawmill, 1893
    Eduard von Lichtenfels
    Landscape with sawmill, 1893
    Oil on wood
    51 x 74,8 cm
    signed and dated lower left: ‘Lichtenfels 1893’
  • Josef Engelhart, The Pülcher, 1894
    Josef Engelhart
    The Pülcher, 1894
    Oil on cardboard
    30,4 x 20,3 cm
    Signed and dated on the lower left: J. Engelhart 1894"
  • Hugo Charlemont, Kurze Rast, 1896
    Hugo Charlemont
    Kurze Rast, 1896
    Öl auf Holz
    36,4 x 55 cm
    rechts unten bezeichnet: „Lorbeerhain“ sowie signiert und datiert:
    „Hugo Charlemont 1896“
  • Hugo Charlemont, Promenade, 1897
    Hugo Charlemont
    Promenade, 1897
    Oil on wood
    36 x 55 cm
    signed and dated on the lower right (twice): "Hugo Charlemont 1897"
  • Eugen Jettel, Farmhouse near Staatz (Lower Austria), 1898
    Eugen Jettel
    Farmhouse near Staatz (Lower Austria), 1898
    Oil on canvas
    45 x 67 cm
    signed, inscribed and dated lower right: "Eugène Jettel. Staatz [18]98"
  • Hugo Darnaut, Moonnight, 1898
    Hugo Darnaut
    Moonnight, 1898
    Oil on cardboard
    26,5 x 41,5 cm
    signed and dated lower right: “H. Darnaut 1898”
  • Hugo Darnaut, Pathway in the forest, 1901
    Hugo Darnaut
    Pathway in the forest, 1901
    Oil on canvas
    109 x 80 cm
    signed and dated lower right: "H. Darnaut 1901".
  • Ferdinand Brunner, "Juni" (June), 1903
    Ferdinand Brunner
    "Juni" (June), 1903
    Oil on canvas
    60 x 85 cm
    signed and dated on the lower left: "FERDINAND BRUNNER 1903"; remnants of a hand-written label on the stretcher as well as a label of the Vienna Künstlerhaus with the number "1903/2117"
  • Hugo Charlemont, When reading, 1905
    Hugo Charlemont
    When reading, 1905
    Oil on wood
    32 x 20,7 cm
    signed and dated lower right: ‘Hugo Charlemont 1905’
  • Franz Rumpler, “Garden party with the roses at the Lusthaus”, 1906
    Franz Rumpler
    “Garden party with the roses at the Lusthaus”, 1906
    Oil on wood
    30 x 37 cm
    the estate stamp on the label on the reverse inscribed and dated “1906” (“from the estate of Mrs. Marie Rumpler”)
  • Rudolf Junk, "Steinbruch Klein Wien bei Krems", 1906
    Rudolf Junk
    "Steinbruch Klein Wien bei Krems", 1906
    Oil on canvas
    50,5 x 70 cm
    signed and dated on the lower right: "R Junk [19]06"; titled and dated on an old label on the reverse: "August 1906", exhibition label Künstlerhaus Vienna "1906 / 741"
  • Franz von Defregger, On the Hunt, 1906
    Franz von Defregger
    On the Hunt, 1906
    Oil on wood
    48,3 x 60,7 cm
    signed and dated on the lower left: "Defregger (19)06"; label "Galerie Heinemann, München / 9365" on the reverse
  • Ferdinand Andri, Peasant Woman from Villnöss, 1907
    Ferdinand Andri
    Peasant Woman from Villnöss, 1907
    Oil on canvas on cardboard
    37 x 31 cm
    signed on the upper right: "F. Andri." inscribed on the reverse: "Villnöss 1907 / Ferd. Andri" as well as remnants of a label from the Künstlerhaus
  • Karl Schmidt-Rottluff, Nude, 1909
    Karl Schmidt-Rottluff
    Nude, 1909
    Woodcut on paper
    38.3 x 23.7 cm (sheet dimensions correspond to the stick size)
  • Olga Wisinger-Florian, Interior with Saint's Day Table (Garden Salon in Grafenegg), 1909
    Olga Wisinger-Florian
    Interior with Saint's Day Table (Garden Salon in Grafenegg), 1909
    Oil on cardboard
    70 x 91 cm
    Signed on the lower right: "O. Wisinger-Florian"
  • Hermann Max Pechstein, Woman with fur, 1917
    Hermann Max Pechstein
    Woman with fur, 1917
    Drypoint on paper
    39.5 x 31.4 cm (plate); 51 x 37.5 cm (paper)
    signed lower right: ‘H M Pechstein’; inscribed lower left: ‘44’
  • Alfred Zoff, Blossoming Trees in Pöllau, 1920
    Alfred Zoff
    Blossoming Trees in Pöllau, 1920
    Oil on canvas
    35,5 x 50 cm
    signed on the lower left: "A. Zoff", inscribed and dated on the reverse: "Pöllau 1920"
  • Wilhelm Thöny, Winter Landscape, 1922/23
    Wilhelm Thöny
    Winter Landscape, 1922/23
    Oil on canvas
    45 x 57 cm
    signed lon the ower left: "W. Thöny"
  • Ernst Huber, Summer Flower Bouquet with Figurines, 1925
    Ernst Huber
    Summer Flower Bouquet with Figurines, 1925
    Oil on cardboard
    65 x 54 cm
    signed and dated lower right: "E. Huber 1925"
  • Josef Dobrowsky, Winterlandscape with Lantern, 1925
    Josef Dobrowsky
    Winterlandscape with Lantern, 1925
    Oil on cardboard
    39,7 x 48,5 cm
    monogrammed and dated on the lower right: "JD [19]25"
  • Oskar Laske, Vienna / Between the Museums (Art history and Natural history Museum), 1925-1930
    Oskar Laske
    Vienna / Between the Museums (Art history and Natural history Museum), 1925-1930
    Watercolour and Gouache on Paper
    39,5 x 50 cm
    signed lower right: O. Laske
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